| Issue Date | Title | Author(s) | Relation | scopus | WOS | Fulltext/Archive link |
1 | 2012 | 身體作為文化記憶或技藝?--緬華的聆聽經驗與文化展演政治 | 呂心純 | | | | |
2 | 2019 | 超有感/無感:樂舞身體及跨文化理解 | 呂心純 | | | | |
3 | 2021 | 華麗轉身:桃園雲南打歌的邊區文化展演政治 | 呂心純 | | | | |
4 | 2021 | 緬甸古典音樂中的撣傣蹤跡 | 呂心純 | | | | |
5 | 2002 | 當代緬甸樂器Saung-gauk之歷久彌新:以象徵意義作為探討對象 | 呂心純 | | | | |
6 | 2011 | 『異地』 或『在地』風格?官版與緬華版潑水節歌舞展演的多重主體發聲 | 呂心純 | | | | |
7 | 1999 | 淺析唐代驃國獻樂的意義﹣以「新唐書」『南蠻傳』為主要探討對象 | 呂心純 | | | | |
8 | 2017 | 形構觀光「異域」:龍岡米干節的歌舞展演與邊區文化想像 | 呂心純 | | | | |
9 | 2010 | 差異的展演性:仰光緬甸華僑的公共音景繪製與鄉愁展演 | 呂心純 | | | | |
10 | 2012 | 多元自我與互為主體性:一位緬甸古典音樂家的音樂自我建構 | 呂心純 | | | | |
11 | 2011 | 另一種鄉愁:多點域緬甸華人在音樂實踐中的時空建構 | 呂心純 | | | | |
12 | 2010 | Transnational Music Remaking and Home Reidentifying: Chinese Migrant Singers in Burmese Pop | Lu, Hsin-chun | | | | |
13 | 2008 | The Soundscapes of Ethnic Chinese in Rangoon between 1948 and 1988 | Lu, Hsin-chun | | | | |
14 | 2019 | The Construction of the “Enchanted Golden Triangle” through Music and Dance in a Yunnan Diasporic Community in Taiwan | Hsin-chun Tasaw Lu | | | | |
15 | 2020 | Sounding ‘Exotic Borderlands’: Ritual Embodiment in a Yunnanese Tourist Festival in Northern Taiwan | Tasaw Hsin-chun Lu | | | | |
16 | 2012 | Song Covers as Hidden Transcripts: Negotiating Identity and Reidentifying Home amongst Burmese Chinese Singers | Lu, Tasaw Hsin-chun | | | | |
17 | 2009 | Sino-Burmese in Yangon: Soundscapes Formation and Its Politics | Lu, Hsin-chun | | | | |
18 | 2012 | Recollecting the Red Past, Glorifying the New Present: Musical Narratives and Performances among the pro-CCP Burmese Chinese in Rangoon | Lu, Hsin-chun Tasaw | | | | |
19 | 2010 | Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese in Central Rangoon | Lu, Hsin-chun | | | | |
20 | 2009 | Nan-chi-chao No. 7: Transnationality and Localization of the Sino-Burmese Soundscapes in Jhong-he | Lu, Hsin-chun | | | | |
21 | 2010 | Music as Social Space: Constructing Ethnic Soundscapes in a Sino-Burmese Community in Jhong-he, Taiwa | Lu, Hsin-chun | | | | |
22 | 2017 | Museum Exhibitions as Alternative Way of Building Ethnomusicological Knowledge | Hsin-chun Tasaw Lu | | | | |
23 | 2012 | Multiple Selves and Intersubjectivity: Constructing Musical-self of a Burmese Classical Musician in Rangoon | Lu, Hsin-chun Tasaw | | | | |
24 | 2013 | Listening Sensory, Bodily Memory, and the Politics of Cultural Performances among the Burmese Chinese in Rangoon 論文是否經過審查 | Lu, Hsin-chun | | | | |
25 | 2006 | Kyaw Kyaw Naing Meets the APPEX: A Burmese Musician's Representation and Advocacy in the Postmodern West | Lu, Hsin-chun | | | | |
26 | 2010 | Isolationism and Simplicity as Resistance: An Analysis of a Burmese Classical Musician’s Self-Narrative | Lu, Hsin-chun | | | | |
27 | 2016 | Intercultural Negotiation and Reconciliation: The Sino-Myanmar Festival Performances in Macau | Hsin-Chun Lu | | | | |
28 | 2009 | Identity Construction through Personal Narratives: A Burmese Migrant Woman in Taiwan | Lu, Hsin-chun | | | | |
29 | 2006 | Festivalizing Thingyan, Negotiating Ethnicity: Politics and Performance in a Burmese Community in Taiwan | Lu, Hsin-chun | | | | |
30 | 2018 | “Experience Macau, Touching Moments”: Burmese Music and Dance Performances, Identity Negotiation, and City Tourism in Macau. | Hsin-chun Tasaw Lu | | | | |
31 | 2012 | Ethnic Festivalization, Subversion, and Intersubjectivity: The Burmese ‘Twin Water Festivals’ in Taiwan | Lu, Hsin-chun Tasaw | | | | |
32 | 2016 | Embodying Maoism: Sino-Burmese Revolutionary Performance in Transnational Circulation | Hsin-chun Tasaw Lu | | | | |
33 | 2015 | Embodying Maoism: Diasporic Performances of a Sino-Burmese Music and Dance Troupe | Hsin-chun Tasaw Lu | | | | |
34 | 2013 | Cultural Homogeneity, Embodied Empathy: Reconstructing the Musical Pasts amongst Burmese Chinese Peoples Worldwide | Lu, Hsin-chun | | | | |
35 | 2009 | Crossing Over: Burmese Chinese Migrants, Diasporic Identity, and Burmese Pop | Lu, Hsin-chun | | | | |
36 | 2011 | Cohesion and Collision: The Politics of U Tin Yi’s Bi-Musicality Performance in Burma | Lu, Hsin-chun | | | | |
37 | 2019 | Challenge, Compromise, and Cohesion: Transmitting Myanmar Hsaing-waing Music in A Taiwan’s World-Music Ensemble Class Setting | Hsin-chun Tasaw Lu | | | | |