| 公開日期 | 題名 | 作者 | 關聯 | scopus | WOS | 全文 |
1 | 2022 | Festival as Ritual and Ritual in Festival: Inventing ‘Exotic Borderlands’ in a Yunnanese Community in Northern Taiwan | Tasaw Hsin-chun Lu | Religious Sounds Beyond the Global North: Senses, Media and Power (Amsterdam, Netherlands : Amsterdam University Press) | | | |
2 | 2021 | 緬甸古典音樂中的撣傣蹤跡 | 呂心純 | | | | |
3 | 2021 | 華麗轉身:桃園雲南打歌的邊區文化展演政治 | 呂心純 | | | | |
4 | 2021 | 界域的文化動能:冷戰前期仰光唐人街的電影跨國網絡及其影響 | 呂心純 | 民俗曲藝 第213期,頁1-47 | | | |
5 | 2021 | 「革命聲景」:緬華Z世代的革命情感、歌曲與FB共聽實踐 | 呂心純 | 人類學視界 第二十九期,頁14-21 | | | |
6 | 2021 | Water Festival as Spectacle: Sino-Burmese Identities, Ethnic Politics, and Public Performances in Macau | Hsin-chun Tasaw Lu | Routledge Handbook on Asian Music: Cultural Intersections | | | |
7 | 2021 | Experiencing the "Enchanting Golden Triangle" through Music and Dance in a Yunnan Diasporic Community in Taiwan | Tasaw Hsin-chun Lu | Resounding Taiwan: Musical Reverberation Across A Vibrant Island (New York : Routledge) | | | |
8 | 2020 | Sounding ‘Exotic Borderlands’: Ritual Embodiment in a Yunnanese Tourist Festival in Northern Taiwan | Tasaw Hsin-chun Lu | | | | |
9 | 2019 | The Construction of the “Enchanted Golden Triangle” through Music and Dance in a Yunnan Diasporic Community in Taiwan | Hsin-chun Tasaw Lu | | | | |
10 | 2019 | 形構「魅力金三角」:龍岡雲南社群的歌舞展演與邊區文化想像 | 呂心純 | 台灣音樂研究 | | | |
11 | 2019 | Politics and Tactics in Revolutionary Performance: A Sino-Burmese Arts Troupe in Transnational Circulation | Hsin-chun Tasaw Lu | Asian Theatre Journal 36(2), 370-394 | | | |
12 | 2019 | Challenge, Compromise, and Cohesion: Transmitting Myanmar Hsaing-waing Music in A Taiwan’s World-Music Ensemble Class Setting | Hsin-chun Tasaw Lu | | | | |
13 | 2019 | 超有感/無感:樂舞身體及跨文化理解 | 呂心純 | | | | |
14 | 2018 | “Experience Macau, Touching Moments”: Burmese Music and Dance Performances, Identity Negotiation, and City Tourism in Macau. | Hsin-chun Tasaw Lu | | | | |
15 | 2018 | 時空流轉下的緬華革命樂舞 | 呂心純 | 考古人類學刊 第88期,頁35-81 | | | |
16 | 2017 | 形構觀光「異域」:龍岡米干節的歌舞展演與邊區文化想像 | 呂心純 | | | | |
17 | 2017 | Museum Exhibitions as Alternative Way of Building Ethnomusicological Knowledge | Hsin-chun Tasaw Lu | | | | |
18 | 2017 | Embodying Maoism: Sino-Burmese Revolutionary Performance in Transnational Circulation | Hsin-Chun Tasaw Lu | The Drama Review | | | |
19 | 2017 | 時空流轉下的緬華革命歌舞:以「五朵金花藝術團」為例 | 呂心純 | 心之憂矣 我歌且謠 | | | |
20 | 2016 | 跨文化表演的研究途徑:台灣一場緬甸音樂表演的互為主體與多點民族誌研究 | 呂心純 | 民俗曲藝 193,頁11-62 | | | |
21 | 2016 | Embodying Maoism: Sino-Burmese Revolutionary Performance in Transnational Circulation | Hsin-chun Tasaw Lu | | | | |
22 | 2016 | 藝術學學門熱門與前瞻學術議題研究計劃報告_民族音樂學門 | 呂心純 | 科技部人文社會科學研究中心 | | | |
23 | 2016 | Intercultural Negotiation and Reconciliation: The Sino-Myanmar Festival Performances in Macau | Hsin-Chun Lu | | | | |
24 | 2016 | Cultural Homogeneity, Embodied Empathy: Incorporating the Musical Pasts amongst Burmese Chinese Peoples Worldwide | Hsin-chun Tasaw Lu | Ethnomusicology Forum 25(1), 14-34 | | | |
25 | 2015 | Embodying Maoism: Diasporic Performances of a Sino-Burmese Music and Dance Troupe | Hsin-chun Tasaw Lu | | | | |
26 | 2013 | Cultural Homogeneity, Embodied Empathy: Reconstructing the Musical Pasts amongst Burmese Chinese Peoples Worldwide | Lu, Hsin-chun | | | | |
27 | 2013 | Listening Sensory, Bodily Memory, and the Politics of Cultural Performances among the Burmese Chinese in Rangoon 論文是否經過審查 | Lu, Hsin-chun | | | | |
28 | 2013 | 追憶「紅」過往,光耀新時代:緬甸華人的聆聽感知、身體記憶與文化展演 | 呂心純 | 身體、主體性與文化療癒 (台北 : 中央研究院) | | | |
29 | 2013 | Recounting, Resistance, and Reflection: An Analysis of a Burmese Classical Musician's Narrative | Lu, Hsin-chun Tasaw | Burmese Lives (New York, USA : Oxford University Press) | | | |
30 | 2012 | 未褪色的金碧輝煌:緬甸古典音樂傳統的再現與現代性 | 呂心純 | | | | |
31 | 2012 | Multiple Selves and Intersubjectivity: Constructing Musical-self of a Burmese Classical Musician in Rangoon | Lu, Hsin-chun Tasaw | | | | |
32 | 2012 | Recollecting the Red Past, Glorifying the New Present: Musical Narratives and Performances among the pro-CCP Burmese Chinese in Rangoon | Lu, Hsin-chun Tasaw | | | | |
33 | 2012 | 臺灣總督府臨時臺灣舊慣調查會蕃族調查報告書第五冊:泰雅族前篇 | 臺灣總督府臨時臺灣舊慣調查會原著; 中央研究院民族學研究所編譯; 呂心純主編 | 台北市 | | | |
34 | 2012 | 多元自我與互為主體性:一位緬甸古典音樂家的音樂自我建構 | 呂心純 | | | | |
35 | 2012 | Song Covers as Hidden Transcripts: Negotiating Identity and Reidentifying Home amongst Burmese Chinese Singers | Lu, Tasaw Hsin-chun | | | | |
36 | 2012 | Ethnic Festivalization, Subversion, and Intersubjectivity: The Burmese ‘Twin Water Festivals’ in Taiwan | Lu, Hsin-chun Tasaw | | | | |
37 | 2012 | 身體作為文化記憶或技藝?--緬華的聆聽經驗與文化展演政治 | 呂心純 | | | | |
38 | 2011 | 另一種鄉愁:多點域緬甸華人在音樂實踐中的時空建構 | 呂心純 | | | | |
39 | 2011 | 差異的展演性:仰光緬甸華僑的公共音景繪製與鄉愁展演 | 呂心純 | 中研院亞太區域研究 | | | |
40 | 2011 | 『異地』 或『在地』風格?官版與緬華版潑水節歌舞展演的多重主體發聲 | 呂心純 | | | | |
41 | 2011 | Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese during 1949 and 1988 in Central Rangoon | Lu, Hsin-chun | ASIAN MUSIC 42(2), 19-55 | | | |
42 | 2011 | 音樂作為一種離散社會空間:台灣中和地區緬甸華僑的音景與族裔空間建構 | 呂心純 | 民俗曲藝 171,頁1-61 | | | |
43 | 2011 | Cohesion and Collision: The Politics of U Tin Yi’s Bi-Musicality Performance in Burma | Lu, Hsin-chun | | | | |
44 | 2010 | 臺灣總督府臨時臺灣舊慣調查會蕃族調查報告書第七冊:泰雅族後篇 | 臺灣總督府臨時臺灣舊慣調查會原著; 中央研究院民族學研究所編譯; 呂心純主編 | 台北市 | | | |
45 | 2010 | 差異的展演性:仰光緬甸華僑的公共音景繪製與鄉愁展演 | 呂心純 | | | | |
46 | 2010 | Music as Social Space: Constructing Ethnic Soundscapes in a Sino-Burmese Community in Jhong-he, Taiwa | Lu, Hsin-chun | | | | |
47 | 2010 | Transnational Music Remaking and Home Reidentifying: Chinese Migrant Singers in Burmese Pop | Lu, Hsin-chun | | | | |
48 | 2010 | Isolationism and Simplicity as Resistance: An Analysis of a Burmese Classical Musician’s Self-Narrative | Lu, Hsin-chun | | | | |
49 | 2010 | Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese in Central Rangoon | Lu, Hsin-chun | | | | |
50 | 2009 | Burmese Classical Music: An Introduction | Lu, Hsin-chun | FONTES ARTIS MUSICAE 56(3): 254-71 | | | |
51 | 2009 | Shaping Asian-Pacific Subjectivity in Cross-cultural Music Collaboration: An Asian-American Perspective | Lu, Hsin-chun | 台灣音樂研究 9: 129-157 | | | |
52 | 2009 | Crossing Over: Burmese Chinese Migrants, Diasporic Identity, and Burmese Pop | Lu, Hsin-chun | | | | |
53 | 2009 | Sino-Burmese in Yangon: Soundscapes Formation and Its Politics | Lu, Hsin-chun | | | | |
54 | 2009 | Nan-chi-chao No. 7: Transnationality and Localization of the Sino-Burmese Soundscapes in Jhong-he | Lu, Hsin-chun | | | | |
55 | 2009 | Identity Construction through Personal Narratives: A Burmese Migrant Woman in Taiwan | Lu, Hsin-chun | | | | |
56 | 2008 | Festivalizing Thingyan, Negotiating Ethnicity: Politics and Performance in a Burmese Community in Taiwan | Lu, Hsin-chun | Journal of Burma Studies 12:29-62 | | | |
57 | 2008 | The Soundscapes of Ethnic Chinese in Rangoon between 1948 and 1988 | Lu, Hsin-chun | | | | |
58 | 2007 | Constructing Musical Identity Among Burmese Classical Musicians in Burma and Its Diasporas | Lu, Hsin-chun | University of California, Los Angeles, Ethnomusicology, 250 p. | | | |
59 | 2006 | Kyaw Kyaw Naing Meets the APPEX: A Burmese Musician's Representation and Advocacy in the Postmodern West | Lu, Hsin-chun | | | | |
60 | 2006 | Festivalizing Thingyan, Negotiating Ethnicity: Politics and Performance in a Burmese Community in Taiwan | Lu, Hsin-chun | | | | |
61 | 2002 | 當代緬甸樂器Saung-gauk之歷久彌新:以象徵意義作為探討對象 | 呂心純 | 2002 中華民國民族音樂學會青年學生研討會論文集 (台北市 : 中華民國民族音樂學會) | | | |
62 | 2002 | 當代緬甸樂器Saung-gauk之歷久彌新:以象徵意義作為探討對象 | 呂心純 | | | | |
63 | 2000 | 緬甸豎琴 Saung-gauk的形制建構與象徵意義 | 呂心純 | 台灣大學, 音樂學研究所, 206 p. | | | |
64 | 1999 | 淺析唐代驃國獻樂的意義 ﹣以「新唐書」『南蠻傳』為主要探對象 | 呂心純 | 第一屆全國大學院校研究生音樂學術研討會論文集 (高雄 : 中山大學) | | | |
65 | 1999 | 淺析唐代驃國獻樂的意義﹣以「新唐書」『南蠻傳』為主要探討對象 | 呂心純 | | | | |