| Issue Date | Title | Author(s) | Relation | scopus | WOS | Fulltext/Archive link |
1 | 1998 | 黃春明與臺灣鄉土文學 | 彭小妍 | | | | |
2 | 2009 | 邊緣性與跨文化現代性:大江健三郎的安娜貝爾.李 | 彭小妍 | | | | |
3 | 1998 | 《迷園》與臺灣民族論述:記憶、述說與歷史 | 彭小妍 | | | | |
4 | 1999 | 論葉石濤《臺灣文學史綱》 | 彭小妍 | | | | |
5 | 2018 | 說一個完整的五四故事 | 彭小妍 | | | | |
6 | 1996 | 認同、族群與女性——臺灣文學七十年 | 彭小妍 | | | | |
7 | 2000 | 解嚴與文學中的歷史重建 | 彭小妍 | | | | |
8 | 1998 | 皇民文學與歷史敘述 | 彭小妍 | | | | |
9 | 2009 | 《海角七號》:意外的成功?──回顧臺灣新電影 | 彭小妍 | | | | |
10 | 2005 | 浪蕩子美學與越界:新感覺派的性別、語言與漫遊 | 彭小妍 | | | | |
11 | 2005 | 浪蕩子美學與越界:新感覺派作品中的性別、語言與漫遊 | 彭小妍 | | | | |
12 | 2012 | 流動的主體性:張競生與後啟蒙話語 | 彭小妍 | | | | |
13 | 2004 | 歷史、虛構與解嚴後眷村作家 | 彭小妍 | | | | |
14 | 1995 | 李昂小說中的語言 | 彭小妍 | | | | |
15 | 2000 | 朱天心的臺北:從地理空間到歷史意識 | 彭小妍 | | | | |
16 | 2003 | 施叔青文學與台灣文壇以及香港文化 | 彭小妍 | | | | |
17 | 2007 | 文學史的編撰與香港文學在華文文學中的地位 | 彭小妍 | | | | |
18 | 1995 | 文學典律、種族階級與鄉土書寫--張我軍與臺灣新文學的起源 | 彭小妍 | | | | |
19 | 2005 | 我所創作的女性與歷史:閩南、客家族群與大學生 | 彭小妍 | | | | |
20 | 2019 | 情動力:德勒茲的斯賓諾莎論——表現或體現? | 彭小妍 | | | | |
21 | 1998 | 從歷史到文學——從《臺灣文藝》及《無花果》談起 | 彭小妍 | | | | |
22 | 2015 | 從《刺客聶隱娘》重探作者論 | 彭小妍 | | | | |
23 | 2003 | 後設美學與後現代性:解嚴後臺灣小說的現實與虛構 | 彭小妍 | | | | |
24 | 2000 | 張競生的性美學烏托邦:情感教育與女性治國 | 彭小妍 | | | | |
25 | 1995 | 「寫實」與政治寓言 | 彭小妍 | | | | |
26 | 2003 | 女性與歷史:施叔青的《香港三部曲》 | 彭小妍 | | | | |
27 | 1994 | 女作家的情慾書寫與政治論述——解讀《迷園》 | 彭小妍 | | | | |
28 | 2016 | 女人作為隱喻:《色|戒》的歷史建構與解構 | 彭小妍 | | | | |
29 | 2007 | 女人作為隱喻:《色∣戒》的歷史建構與解構 | 彭小妍 | | | | |
30 | 2019 | 唯情與理性:一個完整的五四故事 | 彭小妍 | | | | |
31 | 2018 | 唯情與理性的辯證:五四的反啟蒙 | 彭小妍 | | | | |
32 | 2013 | 「唯情主義」與科學理性 | 彭小妍 | | | | |
33 | 2007 | 再現的危機:歷史、虛構與解嚴後眷村小說 | 彭小妍 | | | | |
34 | 2009 | 再現的危機:歷史、虛構與解嚴後眷村作家 | 彭小妍 | | | | |
35 | 2019 | 何謂「跨文化」? | 彭小妍 | | | | |
36 | 1999 | 五四文人在上海:另類的劉吶鷗 | 彭小妍 | | | | |
37 | 2012 | 中元祭與法國紅酒:跨文化批判與流動的主體性 | 彭小妍 | | | | |
38 | 2008 | 一個旅行的疾病:「心的疾病」、科學術語與新感覺派 | 彭小妍 | | | | |
39 | 1993 | Zhang Ziping’s Love Stories | Peng, Hsiao-Yen | | | | |
40 | 1996 | Writing Identity: Seven Decades of Taiwan Literature | Peng, Hsiao-Yen | | | | |
41 | 1993 | Women’s Struggle for Self-liberation in Republican China: A Study of Three Female Writers | Peng, Hsiao-Yen | | | | |
42 | 2002 | Women and Historical Revisionism: City of Sadness | Peng, Hsiao-Yen | | | | |
43 | 2008 | Woman as Metaphor: How Lust/ Caution Re/Deconstructs History | Peng, Hsiao-Yen | | | | |
44 | 2008 | Translation and the ‘Malady of the Heart’: Scientific Jargon and Neosensation | Peng, Hsiao-Yen | | | | |
45 | 2015 | Transcultural Lexicon: ‘Outlook on Life’ and the Eurasian Post-Enlightenment Discourse | Peng, Hsiao-yen | | | | |
46 | 2016 | To Kill or Not to Kill: Auteurism and Storytelling | Peng, Hsiao-yen | | | | |
47 | 2011 | The ‘Outlook on Life Discourse’ and Zhang Jingsheng: China, Germany, and Japan | Peng, Hsiao-Yen | | | | |
48 | 2000 | The Dandy and the Woman | Peng, Hsiao-Yen | | | | |
49 | 1992 | The Country Literature and Modernism Debate During the 1970s | Peng, Hsiao-Yen | | | | |
50 | 2012 | Subjectivity in flux: Zhang Jingsheng and the Eurasian post-Enlightenment discourse | Peng, Hsiao-Yen | | | | |
51 | 1995 | Sex Histories: Pornography or Sexology? Zhang Jingsheng’s Sexual Revolution | Peng, Hsiao-Yen | | | | |
52 | 1994 | Sex as Politics: Contemporary Women Writers from Taiwan | Peng, Hsiao-Yen | | | | |
53 | 2002 | Post-Martial Law Taiwanese Culture and Literature | Peng, Hsiao-Yen | | | | |
54 | 2002 | Multiculturalism and Historical Revisionism: Taiwanese Literature and Culture | Peng, Hsiao-Yen | | | | |
55 | 1997 | Love in 1930s Shanghai: A Study of the Neo-Perceptionists | Peng, Hsiao-Yen | | | | |
56 | 1998 | Liu Na’ou the Neo-Perceptionist Dandy | Peng, Hsiao-Yen | | | | |
57 | 1999 | Literature and Historical Reconstruction | Peng, Hsiao-Yen | | | | |
58 | 2005 | Le néo-sensationnisme à Shanghai: le Japon comme vecteur des idées européennes | Peng, Hsiao-Yen | | | | |
59 | 2004 | History, Fiction, and Post-Martial Law Writers from the “Soldiers' Villages” | Peng, Hsiao-Yen | | | | |
60 | 2004 | History, Fiction, and Post-Martial Law Writers from the “Soldiers' Villages” | Peng, Hsiao-Yen | | | | |
61 | 2004 | History, Fiction, and Post-Martial Law Writers from the “Soldiers' Villages” | Peng, Hsiao-Yen | | | | |
62 | 2015 | From Taiwan New Cinema to Cape No. 7: Auteurism and Beyond | Peng, Hsiao-yen | | | | |
63 | 1997 | From Anti-Imperialism to Post-Colonialism: Taiwan Fiction Since the 1977 Nativist Literature Debate | Peng, Hsiao-Yen | | | | |
64 | 2017 | Food and Sex: Zhang Jingsheng’s Regimen Theory and Thermodynamics | Peng, Hsiao-yen | | | | |
65 | 1992 | Eros and Self-Liberation: A Study of the Notorious Dr. Sex and May Fourth Erotic Fiction | Peng, Hsiao-Yen | | | | |
66 | 2002 | Dandysme et néo-sensationnisme : style de vie et style littéraire | Peng, Hsiao-Yen | | | | |
67 | 2004 | Dandyism and Cosmopolitanism: Paris, Tokyo, Taiwan, and 1930 Shanghai | Peng, Hsiao-Yen | | | | |
68 | 2005 | Dandyism and Border Crossing: Gender, Language, and Travel in Neo-Sensationism | Peng, Hsiao-Yen | | | | |
69 | 1994 | Country and City Complex: A Study of Chen Ingzhen | Peng, Hsiao-Yen | | | | |
70 | 2002 | Colonialism and the Predicament of Identity: Liu Na’ou and Yang Kui as Men of the World | Peng, Hsiao-Yen | | | | |
71 | 2002 | City of Sadness: Multiculturalism and Historical Revisionism | Peng, Hsiao-Yen | | | | |
72 | 2010 | Auteurism and Taiwan New Cinema | Peng, Hsiao-Yen | | | | |
73 | 2006 | A Traveling Text: Souvenirs entomologiques and Shanghai Neo-Sensationism | Peng, Hsiao-Yen | | | | |
74 | 2006 | A Traveling Text: Souvenirs entomologiques and Shanghai Neo-Sensationism | Peng, Hsiao-Yen | | | | |
75 | 2009 | A Traveling Disease: The ‘Malady of the Heart’ and the Modern Boy | Peng, Hsiao-Yen | | | | |