公開日期 | 題名 | 作者 | 關聯 | scopus | WOS | 全文 |
2006 | Kyaw Kyaw Naing Meets the APPEX: A Burmese Musician's Representation and Advocacy in the Postmodern West | Lu, Hsin-chun | | | | |
2013 | Listening Sensory, Bodily Memory, and the Politics of Cultural Performances among the Burmese Chinese in Rangoon 論文是否經過審查 | Lu, Hsin-chun | | | | |
2022 | 'Making Sense’ of the Taipei Metro’s Soundscape Program | Tasaw Hsin-chun Lu | | | | |
2012 | Multiple Selves and Intersubjectivity: Constructing Musical-self of a Burmese Classical Musician in Rangoon | Lu, Hsin-chun Tasaw | | | | |
2017 | Museum Exhibitions as Alternative Way of Building Ethnomusicological Knowledge | Hsin-chun Tasaw Lu | | | | |
2010 | Music as Social Space: Constructing Ethnic Soundscapes in a Sino-Burmese Community in Jhong-he, Taiwa | Lu, Hsin-chun | | | | |
2009 | Nan-chi-chao No. 7: Transnationality and Localization of the Sino-Burmese Soundscapes in Jhong-he | Lu, Hsin-chun | | | | |
2011 | Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese during 1949 and 1988 in Central Rangoon | Lu, Hsin-chun | ASIAN MUSIC 42(2), 19-55 | | | |
2010 | Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese in Central Rangoon | Lu, Hsin-chun | | | | |
2019 | Politics and Tactics in Revolutionary Performance: A Sino-Burmese Arts Troupe in Transnational Circulation | Hsin-chun Tasaw Lu | Asian Theatre Journal 36(2), 370-394 | | | |
2012 | Recollecting the Red Past, Glorifying the New Present: Musical Narratives and Performances among the pro-CCP Burmese Chinese in Rangoon | Lu, Hsin-chun Tasaw | | | | |
2013 | Recounting, Resistance, and Reflection: An Analysis of a Burmese Classical Musician's Narrative | Lu, Hsin-chun Tasaw | Burmese Lives (New York, USA : Oxford University Press) | | | |
2009 | Shaping Asian-Pacific Subjectivity in Cross-cultural Music Collaboration: An Asian-American Perspective | Lu, Hsin-chun | 台灣音樂研究 9: 129-157 | | | |
2009 | Sino-Burmese in Yangon: Soundscapes Formation and Its Politics | Lu, Hsin-chun | | | | |
2012 | Song Covers as Hidden Transcripts: Negotiating Identity and Reidentifying Home amongst Burmese Chinese Singers | Lu, Tasaw Hsin-chun | | | | |
2020 | Sounding ‘Exotic Borderlands’: Ritual Embodiment in a Yunnanese Tourist Festival in Northern Taiwan | Tasaw Hsin-chun Lu | | | | |
2019 | The Construction of the “Enchanted Golden Triangle” through Music and Dance in a Yunnan Diasporic Community in Taiwan | Hsin-chun Tasaw Lu | | | | |
2008 | The Soundscapes of Ethnic Chinese in Rangoon between 1948 and 1988 | Lu, Hsin-chun | | | | |
2010 | Transnational Music Remaking and Home Reidentifying: Chinese Migrant Singers in Burmese Pop | Lu, Hsin-chun | | | | |
2021 | Water Festival as Spectacle: Sino-Burmese Identities, Ethnic Politics, and Public Performances in Macau | Hsin-chun Tasaw Lu | Routledge Handbook on Asian Music: Cultural Intersections | | | |