公開日期 | 題名 | 作者 | 關聯 | scopus | WOS | 全文 |
2010 | Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese in Central Rangoon | Lu, Hsin-chun | | | | |
2019 | Politics and Tactics in Revolutionary Performance: A Sino-Burmese Arts Troupe in Transnational Circulation | Hsin-chun Tasaw Lu | Asian Theatre Journal 36(2), 370-394 | | | |
2012 | Recollecting the Red Past, Glorifying the New Present: Musical Narratives and Performances among the pro-CCP Burmese Chinese in Rangoon | Lu, Hsin-chun Tasaw | | | | |
2013 | Recounting, Resistance, and Reflection: An Analysis of a Burmese Classical Musician's Narrative | Lu, Hsin-chun Tasaw | Burmese Lives (New York, USA : Oxford University Press) | | | |
2009 | Shaping Asian-Pacific Subjectivity in Cross-cultural Music Collaboration: An Asian-American Perspective | Lu, Hsin-chun | 台灣音樂研究 9: 129-157 | | | |
2009 | Sino-Burmese in Yangon: Soundscapes Formation and Its Politics | Lu, Hsin-chun | | | | |
2012 | Song Covers as Hidden Transcripts: Negotiating Identity and Reidentifying Home amongst Burmese Chinese Singers | Lu, Tasaw Hsin-chun | | | | |
2020 | Sounding ‘Exotic Borderlands’: Ritual Embodiment in a Yunnanese Tourist Festival in Northern Taiwan | Tasaw Hsin-chun Lu | | | | |
2019 | The Construction of the “Enchanted Golden Triangle” through Music and Dance in a Yunnan Diasporic Community in Taiwan | Hsin-chun Tasaw Lu | | | | |
2008 | The Soundscapes of Ethnic Chinese in Rangoon between 1948 and 1988 | Lu, Hsin-chun | | | | |
2010 | Transnational Music Remaking and Home Reidentifying: Chinese Migrant Singers in Burmese Pop | Lu, Hsin-chun | | | | |
2021 | Water Festival as Spectacle: Sino-Burmese Identities, Ethnic Politics, and Public Performances in Macau | Hsin-chun Tasaw Lu | Routledge Handbook on Asian Music: Cultural Intersections | | | |
2022 | 全球音樂史思維下的多元觀點與方法_圓桌會議 | 呂心純 | | | | |
2011 | 另一種鄉愁:多點域緬甸華人在音樂實踐中的時空建構 | 呂心純 | | | | |
2012 | 多元自我與互為主體性:一位緬甸古典音樂家的音樂自我建構 | 呂心純 | | | | |
2010 | 差異的展演性:仰光緬甸華僑的公共音景繪製與鄉愁展演 | 呂心純 | | | | |
2011 | 差異的展演性:仰光緬甸華僑的公共音景繪製與鄉愁展演 | 呂心純 | 中研院亞太區域研究 | | | |
2019 | 形構「魅力金三角」:龍岡雲南社群的歌舞展演與邊區文化想像 | 呂心純 | 台灣音樂研究 | | | |
2017 | 形構觀光「異域」:龍岡米干節的歌舞展演與邊區文化想像 | 呂心純 | | | | |
2018 | 時空流轉下的緬華革命樂舞 | 呂心純 | 考古人類學刊 第88期,頁35-81 | | | |