公開日期 | 題名 | 作者 | 關聯 | scopus | WOS | 全文 |
2002 | Sex Histories: Zhang Jingsheng’s Sexual Revolution | 彭小妍 | Critical Studies: Feminism/Femininity in Chinese Literature 159-177 | | | |
1992 | Shen Congwen de Alisi Zhongguo youji: tonghua huo xieshi? Jianlun wusi xiaoshuo xingshi de liubian (Shen Congwen’s Alice’s Travel in China: fantastic or realistic? On the trnasformation of May Fourth novelistic form) | 彭小妍 | Zhongguo wenzhe yenjiu zhi huigu yu zhanwang lunwenji (The retrospect and prospect of the studies of Chinese literature and philosophy: collected essays) 221-251 | | | |
2013 | Spirit and Body Is One: Dr. Sex’s New China in the 1920s and the Eurasian Post-Enlightenment Discourse | Peng, Hsiao-yen | | | | |
2012 | Subjectivity in flux: Zhang Jingsheng and the Eurasian post-Enlightenment discourse | Peng, Hsiao-Yen | | | | |
1992 | Ta shi ge ruonyuzi (She is a weak female) | Peng, Hsiao-yen | China Times, China Times Literary Supplement. | | | |
2019 | The Assassin and Heibai Wei: Two Dramatic Adaptations of ‘Nie Yinniang’ | Yuan-ju Liu ; Peng, Hsiao-yen | The Assassin: Hou Hsiao-hsien’s World of Tang China (Hong Kong : Hong Kong University Press) | | | |
2019 | The Assassin: Hou Hsiao-hsien’s World of Tang China | Peng, Hsiao-yen | Hong Kong | | | |
1992 | The Country Literature and Modernism Debate During the 1970s | Peng, Hsiao-Yen | | | | |
2000 | The Dandy and the Woman | Peng, Hsiao-Yen | | | | |
2004 | The Dandy and the Woman: Liu Na’ou and Neo-Sensationism | 彭小妍 | Tamkang Review 35(2), 11-27 | | | |
1995 | The New Woman: May Fourth Women’s Struggle for Self-Liberation | 彭小妍 | 中央研究院中國文哲研究集刊 (6), 259-337 | | | |
2017 | The Poetics and Politics of Neo-Sensation | Peng, Hsiao-yen | A New Literary History of Modern China (Mass : Harvard University Press) | | | |
1978 | The Three Characters in the Ring and the Book: A Study of Characterization | Peng, Hsiao-Yen | Taiwan Univ. M. A. thesis | | | |
2011 | The ‘Outlook on Life Discourse’ and Zhang Jingsheng: China, Germany, and Japan | Peng, Hsiao-Yen | | | | |
2019 | To Kill or Not to Kill: Auteurism and Storytelling | Peng, Hsiao-yen | The Assassin: Hou Hsiao-hsien’s World of Tang China (Hong Kong : Hong Kong University Press) | | | |
2016 | To Kill or Not to Kill: Auteurism and Storytelling | Peng, Hsiao-yen | | | | |
2015 | Transcultural Lexicon: ‘Outlook on Life’ and the Eurasian Post-Enlightenment Discourse | Peng, Hsiao-yen | | | | |
2014 | Translation and Cultural Mediation: Modern China and the West | Peng, Hsiao-yen ; Rabut, Isabelle | | | | |
2008 | Translation and the ‘Malady of the Heart’: Scientific Jargon and Neosensation | Peng, Hsiao-Yen | | | | |
2019 | Visuality and Music in The Assassin: The Tang World Recreated | Peng, Hsiao-yen | The Assassin: Hou Hsiao-hsien’s World of Tang China (Hong Kong : Hong Kong University Press) | | | |