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Issue Date	Title	Author(s)	Relation
2009	Burmese Classical Music: An Introduction	Lu, Hsin-chun	FONTES ARTIS MUSICAE 56(3): 254-71
2019	Challenge, Compromise, and Cohesion: Transmitting Myanmar Hsaing-waing Music in A Taiwan’s World-Music Ensemble Class Setting	Hsin-chun Tasaw Lu
2011	Cohesion and Collision: The Politics of U Tin Yi’s Bi-Musicality Performance in Burma	Lu, Hsin-chun
2007	Constructing Musical Identity Among Burmese Classical Musicians in Burma and Its Diasporas	Lu, Hsin-chun	University of California, Los Angeles, Ethnomusicology, 250 p.
2009	Crossing Over: Burmese Chinese Migrants, Diasporic Identity, and Burmese Pop	Lu, Hsin-chun
2016	Cultural Homogeneity, Embodied Empathy: Incorporating the Musical Pasts amongst Burmese Chinese Peoples Worldwide	Hsin-chun Tasaw Lu	Ethnomusicology Forum 25(1), 14-34
2013	Cultural Homogeneity, Embodied Empathy: Reconstructing the Musical Pasts amongst Burmese Chinese Peoples Worldwide	Lu, Hsin-chun
2015	Embodying Maoism: Diasporic Performances of a Sino-Burmese Music and Dance Troupe	Hsin-chun Tasaw Lu
2016	Embodying Maoism: Sino-Burmese Revolutionary Performance in Transnational Circulation	Hsin-chun Tasaw Lu
2017	Embodying Maoism: Sino-Burmese Revolutionary Performance in Transnational Circulation	Hsin-Chun Tasaw Lu	The Drama Review
2012	Ethnic Festivalization, Subversion, and Intersubjectivity: The Burmese ‘Twin Water Festivals’ in Taiwan	Lu, Hsin-chun Tasaw
2018	“Experience Macau, Touching Moments”: Burmese Music and Dance Performances, Identity Negotiation, and City Tourism in Macau.	Hsin-chun Tasaw Lu
2006	Festivalizing Thingyan, Negotiating Ethnicity: Politics and Performance in a Burmese Community in Taiwan	Lu, Hsin-chun
2008	Festivalizing Thingyan, Negotiating Ethnicity: Politics and Performance in a Burmese Community in Taiwan	Lu, Hsin-chun	Journal of Burma Studies 12:29-62
2009	Identity Construction through Personal Narratives: A Burmese Migrant Woman in Taiwan	Lu, Hsin-chun
2016	Intercultural Negotiation and Reconciliation: The Sino-Myanmar Festival Performances in Macau	Hsin-Chun Lu
2010	Isolationism and Simplicity as Resistance: An Analysis of a Burmese Classical Musician’s Self-Narrative	Lu, Hsin-chun
2006	Kyaw Kyaw Naing Meets the APPEX: A Burmese Musician's Representation and Advocacy in the Postmodern West	Lu, Hsin-chun
2013	Listening Sensory, Bodily Memory, and the Politics of Cultural Performances among the Burmese Chinese in Rangoon 論文是否經過審查	Lu, Hsin-chun
2012	Multiple Selves and Intersubjectivity: Constructing Musical-self of a Burmese Classical Musician in Rangoon	Lu, Hsin-chun Tasaw

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