Issue Date | Title | Author(s) | Relation | scopus | WOS | Fulltext/Archive link |
2018 | Coherent Deep-Net Fusion To Classify Shots In Concert Videos | Jen-Chun Lin; Wen-Li Wei; Tyng-Luh Liu; Yi-Hsuan Yang; Hsin-Min Wang; Hsiao-Rong Tyan; Hong-Yuan Mark Liao | IEEE Transactions on Multimedia 20(11), 3123-3136 | | | |
2015 | Combining spectral and temporal representations for multipitch estimation of polyphonic music | Li Su; Yi-Hsuan Yang | IEEE/ACM Trans. Audio, Signal Language Proc. (TASLP) 23(10), 1600-1612 | | | |
2016 | Complex and quaternionic principal component pursuit and its application to audio separation | Tak-Shing Chan; Yi-Hsuan Yang | IEEE SIGNAL PROCESSING LETTERS 23(2), 287-291 | | | |
2017 | Deep-Net Fusion to Classify Shots in Concert Videos | Wen-Li Wei; Jen-Chun Lin; Tyng-Luh Liu; Yi-Hsuan Yang; Hsin-Min Wang; Hsiao-Rong Tyan; Hong-Yuan Mark Liao | | | | |
2015 | Detection of common mistakes in novice violin playing | Yin-Jyun Luo; Li Su; Yi-Hsuan Yang; Tai-Shih Chi | | | | |
2013 | Dual-layer bag-of-frames model for music genre classification | Chin-Chia Yeh; Li Su; Yi-Hsuan Yang | | | | |
2015 | Electric guitar playing technique detection in real-world recording based on F0 sequence pattern recognition | Yuan-Ping Chen; Li Su; Yi-Hsuan Yang | | | | |
2015 | Escaping from the Abyss of Manual Annotation: New Methodology of Building Polyphonic Datasets for Automatic Music Transcription | Li Su; Yi-Hsuan Yang | | | | |
2016 | Exploiting frequency, periodicity and harmonicity using advanced time-frequency concentration techniques for multipitch estimation of choir and symphony | Li Su; Tsung-Ying Chuang; Yi-Hsuan Yang | | | | |
2016 | Highlighting root notes in chord recognition using cepstral features and multi-task learning | Mu-Heng Yang; Li Su; Yi-Hsuan Yang | | | | |
2014 | Improving music auto-tagging by intra-song instance bagging | Chin-Chia M. Yeh; Ju-Chiang Wang; Yi-Hsuan Yang; Hsin-Min Wang | | | | |
2015 | Modeling the Affective Content of Music with a Gaussian Mixture Model | Ju-Chiang Wang; Yi-Hsuan Yang; Hsin-Min Wang; Shyh-Kang Jeng | IEEE Transactions on Affective Computing 6(1), 56-68 | | | |
2016 | Monaural music source separation using convolutional sparse coding | Ping-Keng Jao; Li Su; Yi-Hsuan Yang; Brendt Wohlberg | IEEE/ACM Trans. Audio, Signal Language Proc. (TASLP) 24(11), 2158-2170 | | | |
2018 | MuseGAN: Multi-track sequential generative adversarial networks for symbolic music generation and accompaniment | Hao-Wen Dong; Wen-Yi Hsiao; Li-Chia Yang; Yi-Hsuan Yang | | | | |
2015 | Musical offset detection of pitched instruments: the case of violin | Che-Yuan Liang; Li Su; Hsin-Ming Lin; Yi-Hsuan Yang | | | | |
2015 | Musical onset detection using constrained linear reconstruction | Che-Yuan Liang; Li Su; Yi-Hsuan Yang | IEEE Sig. Proc. Lett. (SPL) 22(11), 2142-2146 | | | |
2016 | Polar n-complex and n-bicomplex singular value decomposition and principal component pursuit | Tak-Shing Chan; Yi-Hsuan Yang | IEEE TRANSACTIONS ON SIGNAL PROCESSING 64(24), 6533-6544 | | | |
2017 | Polyphonic piano note transcription with non-negative matrix factorization of differential spectrogram | Lufei Gao; Li Su; Yi-Hsuan Yang; Tan Lee | | | | |
2014 | Power-scaled spectral flux and peak-valley group-delay methods for robust musical onset detection | Li Su; Yi-Hsuan Yang | | | | |
2014 | Resolving octave ambiguities: A cross-dataset Investigation | Li Su; Li-Fan Yu; Hsin-Yu Lai; Yi-Hsuan Yang | | | | |