Issue Date | Title | Author(s) | Relation | scopus | WOS | Fulltext/Archive link |
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2014 | Sparse cepstral and phase codes for guitar playing technique classification | Li Su; Li-Fan Yu; Yi-Hsuan Yang | ||||
2014 | Sparse Cepstral Codes and Power Scale for Instrument Identification | Li-Fan Yu; Li Su; Yi-Hsuan Yang | ||||
2013 | Sparse modeling for artist identification: Exploiting phase information and vocal separation | Li Su; Yi-Hsuan Yang | ||||
2014 | Sparse modeling of magnitude and phase-derived spectra for playing technique classification | Li Su; Hsin-Ming Lin; Yi-Hsuan Yang | IEEE/ACM Trans. Audio, Signal Language Proc. (TASLP) 22(12), 2122-2132 | |||
2019 | TENT: Technique-embedded note tracking for real-world guitar solo recordings | Ting-Wei Su; Yuan-Ping Chen; Li Su ; Yi-Hsuan Yang | Transactions of the International Society for Music Information Retrieval (TISMIR) 2(1), 15-28 | |||
2012 | The Acoustic Emotion Gaussians model for emotion-based music annotation and retrieval | Ju-Chiang Wang; Yi-Hsuan Yang; Hsin-Min Wang; Shyh-Kang Jeng | ||||
2012 | The Acousticvisual Emotion Gaussians Model for Automatic Generation of Music Video | Ju-Chiang Wang; Yi-Hsuan Yang; I-Hong Jhuo; Yen-Yu Lin; Hsin-Min Wang | ||||
2014 | Towards Time-varying Music Auto-tagging Based on CAL500 Expansion | Shuo-Yang Wang; Ju-Chiang Wang; Yi-Hsuan Yang; Hsin-Min Wang | ||||
2015 | Vocal Activity Informed Singing Voice Separation with the IKALA Dataset | Tak-Shing Chan; Tzu-Chun Yeh; Zhe-Cheng Fan; Hung-Wei Chen; Li Su; Yi-Hsuan Yang; Roger Jyh-Shing Jang |