Results 1-44 of 44 (Search time: 0.003 seconds).
Issue Date | Title | Author(s) | Relation | scopus | WOS | Fulltext/Archive link | |
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1 | 2019 | Missing in action: women artists and biennials | Wu, Chin-Tao | Kunst und Politik, Jahrbuch der Guernica-Gesellschaft (Göttingen, Germany : V&R unipress GmbH) | |||
2 | 2016 | Hermès in Asia: Haute couture, high art and the marketplace | Wu, Chin-Tao | Oxford Art Journal 39(3), 441-455 | |||
3 | 2014 | Scars on the Landscape: Doris Salcedo between Two Worlds | Wu, Chin-Tao | ReNew Marxist Art History (London : Art / Books) | |||
4 | 2013 | Javno finansiranje umetnosti u Americi i Britaniji— uvodna razmatranja | Wu, Chin-Tao | Savremena Umetnost i Muzej: Kritika političke ekonomije umetnosti (Beograd : Muzej Savremene Umetnosti) | |||
5 | 2012 | Fashion and the Seduction of Art: From Gallery to Flagship Store | Wu, Chin-Tao | ||||
6 | 2012 | Missing in Action: Women Artists and Biennials | Wu, Chin-Tao | ||||
7 | 2012 | Curating Political Trauma? | Wu, Chin-Tao | SPACE, 540, 102-107 | |||
8 | 2012 | Bienais Sem Fronteiras? ('Biennials without borders?'葡萄牙文版翻譯) | Wu, Chin-Tao | Novos Estudos 94, 109-116 | |||
9 | 2012 | Biennials Without Borders? | Wu, Chin-Tao | Theory in Contemporary Art since 1985: An Anthology, 2nd edition (Chichester, West Sussex, UK : Wiley-Blackwell) | |||
10 | 2012 | The Collector as Phoenix: Can Charles Saatchi Rise from the Ashes? | Wu, Chin-Tao | Marketing Art in the British Isles, 1700 to the Present: A Cultural History (Farnham, Surrey, England ; Burlington, VT. : Ashgate) | |||
11 | 2011 | Corporate Art Collections in the UK and the US | Wu, Chin-Tao | ||||
12 | 2011 | Bienaller Gerçekten Sınır Tanımıyor mu? ('Biennials without borders?'土耳其文版翻譯) | Wu, Chin-Tao ; Gen, Elçin | e-Skop: sanat tarihi eleştiri 3 Oct. 2011. | |||
13 | 2011 | 無邊界的雙年展? ('Biennials sans frontières' 中文版翻譯) | 吳金桃 | 2010 年台灣視覺藝術年鑑, 二.現況篇(台北 : 藝術家出版社) | |||
14 | 2011 | Cicatrices y fallas: El arte de Doris Salcedo ('Scars and Faultlines'西班牙文版翻譯) | Wu, Chin-Tao | NEW LEFT REVIEW (Spanish Version) 69 (Jul/Ago 2011), 56-70. | |||
15 | 2011 | Scars and Faultlines: The Art of Doris Salcedo | Wu, Chin-Tao | NEW LEFT REVIEWno. 69 (Jul/Ago 2011), pp. 61-77 | |||
16 | 2011 | Hermès in Asia: Haute Couture, High Art and the Marketplace | Wu, Chin-Tao | ||||
17 | 2011 | 국경 없는 비엔날레? ('Biennials without borders'韓文版翻譯) | Wu, Chin-Tao | Visual (由Korea National University of Arts出版) Vol. 8 | |||
18 | 2010 | Mona Hatoum, Artist in Residence: A Nomad's Relationship to Community | Chang, Ena Ying-tzu; Wu, Chin-tao | The Journal of Art Theory and Practice 10, 81-99 | |||
19 | 2010 | 모나 하툼, 입주 작가:공동체와의 유목적 관계 | Wu, Chin-Tao | The Journal of Art Theory and Practice 10, 81-90 | |||
20 | 2010 | Mona Hatoum, Artist in Residence: A Nomad's Relationship to Community | Chang, Ena Ying-Tzu; Wu, Chin-Tao | ||||
21 | 2010 | 無邊界的雙年展?('Biennials without borders'中文版翻譯) | 吳金桃 | 典藏‧今藝術 第218期, 192-195 | |||
22 | 2010 | Catwalk to Culture : How the Fashion Industry Values Art | Wu, Chin-Tao | ||||
23 | 2010 | Biennials and Art Fairs | Wu, Chin-Tao | Oxford art online, What's new, March 2010 update | |||
24 | 2010 | 當代藝術與時尚贊助 | 吳金桃 | 行政院國家科學委員會 | |||
25 | 2010 | YBA Saatchi?: from Shark Sensation to Pastoral Painting | Wu, Chin-Tao | Contemporary Painting in Context (Copenhagen : Museum Tusculanum Press, University of Copenhagen) | |||
26 | 2009 | 覆罩的異國情調:雪潤‧內夏特(Shirin Neshat)早期的女性攝影作品 | 吳金桃 | 台灣社會研究 76,頁 217-276 | |||
27 | 2009 | Biennials without Borders? | Wu, Chin-Tao | Tate papers (Tate Online research publications), issue 12, Autumn 2009 | |||
28 | 2009 | ¿Bienales Sin Fronteras? ('Biennials without borders'西班牙文版翻譯) | Wu, Chin-Tao | NEW LEFT REVIEW (Spanish Version) 57 (Jul/Ago 2009), 100-107 | |||
29 | 2009 | Art and the Spectacular: Biennials sans frontières | Wu, Chin-Tao | ||||
30 | 2009 | Hermès in Asia: Haute Couture, High Art and the Marketplace | Wu, Chin-Tao | ||||
31 | 2009 | Biennials without borders? | Wu, Chin-Tao | New Left Review 57 (May/June 2009), 107-115 | |||
32 | 2009 | The Collector as Phoenix: Can Charles Saatchi rise from the Ashes? | Wu, Chin-Tao | ||||
33 | 2009 | Corporate Collectors of Contemporary Art in Britain | Wu, Chin-Tao | Art and Aesthetics, vol. 4, Investigating Contemporary Art Worlds (Series: Critical Concepts in the Social Sciences)(London ; New York : Routledge) | |||
34 | 2008 | Art and the Spectacular: Biennials sans frontières | Wu, Chin-Tao | ||||
35 | 2008 | 跨國雙年展機制與藝術全球化 | 吳金桃 | 行政院國家科學委員會 | |||
36 | 2007 | Worlds apart: Problems of interpreting globalised art | Wu, Chin-Tao | Third Text 21(6), 719-731 | |||
37 | 2007 | Occupation by absence, preoccupation with presence: A worm's-eye view of art biennials | Wu, Chin-Tao | Journal of Visual Culture 6(3), 379-386 | |||
38 | 2007 | Konsernenes inngrep i kunstverdenen: noen problemstillinger til debatt | Wu, Chin-Tao | Kunstjournalen B-post 2007, 19-24 | |||
39 | 2007 | Catwalks and Artworks: Showing and Selling on the Global Stage | Wu, Chin-Tao | ||||
40 | 2007 | Privatizar la cultura: La intervención empresarial en el mundo del arte desde la década de 1980(Privatising culture西班牙文版) | Wu, Chin-Tao | Tres Cantos(Madrid) | |||
41 | 2006 | Privatização da Cultura: A intervenção corporativa nas artes desde os anos 80(Privatising culture葡萄牙文版) | Wu, Chin-Tao | Sao Paulo | |||
42 | 2005 | Kültürün Özelleştirilmesi: 1980’ler Sonrasında Şirketlerin Sanata Müdahalesi(Privatising culture土耳其文版) | Wu, Chin-Tao | Istanbul | |||
43 | 2003 | Privatising Culture: Corporate Art Intervention since the 1980s (平裝版) | 吳金桃 | London and New York | |||
44 | 2002 | Privatising Culture: Corporate Art Intervention since the 1980s (精裝版) | 吳金桃 | London and New York |