公開日期 | 題名 | 作者 | 關聯 | scopus | WOS | 全文 |
2009 | Capital as Political Stage: The 1761 Syzygy in Image | Wang, Cheng-hua | | | | |
2005 | Collotype Reproductions of Antiquities in Early Twentieth-Century China: Technological Competition, Exhibitionary Culture, and Cultural Preservation | Wang, Cheng-hua | | | | |
2009 | Costumes and Customs, Males and Females: Representing Peoples and Places at the Court of Emperor Qianlong (r. 1735-96) | Wang, Cheng-hua | | | | |
2011 | Global and Loca: European Stylistic Elements in Eighteenth Century Chinese Cityscapes | Wang, Cheng-hua | | | | |
2003 | Imperial Treasures, Art Exhibitions, and National Legacy: The Institute for Exhibiting Antiquities in the 1910s | Wang, Cheng-hua | | | | |
2011 | In the Name of the Nation: Song Painting and Artistic Discourse in Early Twentieth Century China | Wang, Cheng-hua | A companion to Asian Art and Architecture (West Sussex : Blackwell Publishung Ltd.) | | | |
2013 | Luo Zhenyu and the Formation of Qiwu (Antiquities) and Qiwuxue (the Studies of Antiquities) in the First Decade of the Republican Era | Wang, Cheng-hua | Lost Generation: Luo Zhenyu, Qing Loyalists and the Formation of Modern Chinese Culture (London : EAP in conjunction with the Department of History of Art, University of Edinburgh) | | | |
2012 | Luo Zhenyu and the Formation of Qiwu and Qiwuxue in the 1910s | Wang, Cheng-hua | The Lost Generation: Qing Loyalists and the Cultural Production of the Early Twentieth Century (Edinburgh : University of Edinburgh Press) | | | |
2008 | Luo Zhenyu, His Collection, and the Categorical Formation of Qiwu in the 1910s | Wang, Cheng-hua | | | | |
1998 | Material Culture and Emperorship: The Shaping of Imperial Roles at the Court of Xuanzong (r. 1426-1435) | Wang, Cheng-hua | Yale University, Department of the History of Art, 400 p. | | | |
2010 | My Life, My Reign, and My Empire: Beijing and Images of Qianlong's Eightieth Birthday Celebration | Wang, Cheng-hua | | | | |
2013 | New Printing Technology and Heritage Preservation: Collotype Reproduction of Antiquities in Modern China, Circa 1908-1917 | Wang, Cheng-hua | The Role of Japan in Modern Chinese Art (Berkeley : University of California Press) | | | |
2001 | Presenting the Empress Dowager to the World: Cixi’s Images and Self-fashioning in Late-Qing Politic | Wang, Cheng-hua | | | | |
2007 | Qing Loyalists and the Transformation of Traditional Cultural Practices in Early Republican China | Wang, Cheng-hua | | | | |
1999 | Rethinking the Shijing Scrolls: Text, Images, and Ideology | Wang, Cheng-hua | | | | |
2010 | Some Observations on the Business Practices of Eighteenth Century Suzhou Prints | Wang, Cheng-hua | | | | |
2004 | Song Painting in Modern China: Art and the Sense of Cultural Crisis | Wang, Cheng-hua | | | | |
- | Song Painting in Modern China: Artistic Discursive Practice in Early Twentieth Century China | Wang, Cheng-hua | Artibus Asia | | | |
2002 | The Qianlong Emperor and His Legacy: The National Palace Museum’s 2002 October Exhibition | Wang, Cheng-hua | Orientations 33(8), 60-68 | | | |
2010 | The Qing Imperial Collection Circa 1905-25: National Humiliation Heritage Preservation and Exhibition Culture | Wang, Cheng-hua | Reinventing the Past: Archaism and Antiquarianism in Chinese Art and Visual Culture (Chicago : The Center for the Art of East Asia, University of Chicago) | | | |