Issue Date | Title | Author(s) | Relation | scopus | WOS | Fulltext/Archive link |
2012 | Fashion and the Seduction of Art: From Gallery to Flagship Store | Wu, Chin-Tao | | | | |
2011 | Hermès in Asia: Haute Couture, High Art and the Marketplace | Wu, Chin-Tao | | | | |
2009 | Hermès in Asia: Haute Couture, High Art and the Marketplace | Wu, Chin-Tao | | | | |
2016 | Hermès in Asia: Haute couture, high art and the marketplace | Wu, Chin-Tao | Oxford Art Journal 39(3), 441-455 | | | |
2013 | Javno finansiranje umetnosti u Americi i Britaniji— uvodna razmatranja | Wu, Chin-Tao | Savremena Umetnost i Muzej: Kritika političke ekonomije umetnosti (Beograd : Muzej Savremene Umetnosti) | | | |
2007 | Konsernenes inngrep i kunstverdenen: noen problemstillinger til debatt | Wu, Chin-Tao | Kunstjournalen B-post 2007, 19-24 | | | |
2005 | Kültürün Özelleştirilmesi: 1980’ler Sonrasında Şirketlerin Sanata Müdahalesi(Privatising culture土耳其文版) | Wu, Chin-Tao | Istanbul | | | |
2012 | Missing in Action: Women Artists and Biennials | Wu, Chin-Tao | | | | |
2019 | Missing in action: women artists and biennials | Wu, Chin-Tao | Kunst und Politik, Jahrbuch der Guernica-Gesellschaft (Göttingen, Germany : V&R unipress GmbH) | | | |
2010 | Mona Hatoum, Artist in Residence: A Nomad's Relationship to Community | Chang, Ena Ying-Tzu; Wu, Chin-Tao | | | | |
2010 | Mona Hatoum, Artist in Residence: A Nomad's Relationship to Community | Chang, Ena Ying-tzu; Wu, Chin-tao | The Journal of Art Theory and Practice 10, 81-99 | | | |
2007 | Occupation by absence, preoccupation with presence: A worm's-eye view of art biennials | Wu, Chin-Tao | Journal of Visual Culture 6(3), 379-386 | | | |
2003 | Privatising Culture: Corporate Art Intervention since the 1980s (平裝版) | 吳金桃 | London and New York | | | |
2002 | Privatising Culture: Corporate Art Intervention since the 1980s (精裝版) | 吳金桃 | London and New York | | | |
2006 | Privatização da Cultura: A intervenção corporativa nas artes desde os anos 80(Privatising culture葡萄牙文版) | Wu, Chin-Tao | Sao Paulo | | | |
2007 | Privatizar la cultura: La intervención empresarial en el mundo del arte desde la década de 1980(Privatising culture西班牙文版) | Wu, Chin-Tao | Tres Cantos(Madrid) | | | |
2011 | Scars and Faultlines: The Art of Doris Salcedo | Wu, Chin-Tao | NEW LEFT REVIEWno. 69 (Jul/Ago 2011), pp. 61-77 | | | |
2014 | Scars on the Landscape: Doris Salcedo between Two Worlds | Wu, Chin-Tao | ReNew Marxist Art History (London : Art / Books) | | | |
2009 | The Collector as Phoenix: Can Charles Saatchi rise from the Ashes? | Wu, Chin-Tao | | | | |
2012 | The Collector as Phoenix: Can Charles Saatchi Rise from the Ashes? | Wu, Chin-Tao | Marketing Art in the British Isles, 1700 to the Present: A Cultural History (Farnham, Surrey, England ; Burlington, VT. : Ashgate) | | | |